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WORK/LIFE FIRST EDITION

This is the cover of the First Edition, illustrated by Darren Booth

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PRAISE FOR THE FIRST WORK/LIFE

This book is so much more than eye candy; it is a feast. With luscious illustrations and photography backed by engaging profiles, it’s a peek into the creatives’ studios and sketchbooks, giving a sense of their process. It feels so intimate it’s almost a guilty pleasure. Every detail is considered, thought out, flawless, and is there only to enhance the great body of work exhibited by these exceptionally talented artists. Congratulations Janine for the idea, the design, and for enriching our lives with art that is beautifully brought to our doorstep.

—Zahra Al-Harazi, Foundry Creative Inc


Our studio gets many illustration and photography promotions, and it’s unusual that we keep any. This one was different. I saw many copies on designers’ desks in my own studio. The editorial format was fresh and engaging, and the design was elegant and understated, allowing the photography and illustration to shine. The juxtaposition of illustration roughs and studio environments against the finished work added great insight into how illustrators work. Also, the writing is credited to the designer, a rare combination of talent in one person.

— Carey George, Up Inc


I don’t often keep illustration or photography directories, but I kept this one on my desk. The size and weight of the book are fitting for a novel, which reflects its added benefit—it is full of stories. It’s visually compelling. Each artist has been interviewed and their story accompanies their work. The typography is clean and unobtrusive, which enables designers to easily visualize how the illustrations or photos would work in a layout.

— Pamela Lee, Samata Mason Design Inc


Without the shadow of a doubt, this document proves that placing artists in their environment is an appealing approach. Work/Life offers a close-up look by inviting us to see their work behind the scenes. Using uncoated paper helps to immerse us in the day-to-day practice of their craft.

— Vincent Martel, Communications, Cirque du Soleil

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Friday
May222009

Film Friday: letterpress impressed

KLUGE from Northern Lights on Vimeo.

Meet Nick Sambrato. He runs a print shop in Orlando, Florida called Mama's Sauce.

Nick isn't a very smart guy. At a time in history when the print industry is pouncing from one space-age technological advancement to the next, Nick has decided to take a giant leap backwards into the industrial revolution.

Meet the Kluge letterpress. An 2,000 pound, cast iron, electric powered monstrosity of vacillating rods, giant spinning wheels and pneumatic hoses. The Kluge is Nick's weapon of choice in his battle against the future.
So why does Nick use the Kluge? A clearly outdated, cumbersome and obsolete machine? The same reason any craftsman uses any tool: for the quality of the finished product. A letterpress offers a tangible, three-dimensional look and feel to the printed image that no other technology can replicate.

Let Nick take you on a trip back in time as he runs through the process of turning an ordinary piece of paper stock into work of art.

 

I really enjoyed this video; there are some great shots, closeups of the letterpress, one of my favourite Radiohead songs... and it's all shot on the Canon 5dmkii. (This is the kind of camera that I have and I'm hoping to learn more and more about filmmaking and shooting with the 5d.)

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