UPPERCASE magazine
Twitter
Reader News Feed
WORK/LIFE FIRST EDITION

This is the cover of the First Edition, illustrated by Darren Booth

FLICKR
current inspiration

PRAISE FOR THE FIRST WORK/LIFE

This book is so much more than eye candy; it is a feast. With luscious illustrations and photography backed by engaging profiles, it’s a peek into the creatives’ studios and sketchbooks, giving a sense of their process. It feels so intimate it’s almost a guilty pleasure. Every detail is considered, thought out, flawless, and is there only to enhance the great body of work exhibited by these exceptionally talented artists. Congratulations Janine for the idea, the design, and for enriching our lives with art that is beautifully brought to our doorstep.

—Zahra Al-Harazi, Foundry Creative Inc


Our studio gets many illustration and photography promotions, and it’s unusual that we keep any. This one was different. I saw many copies on designers’ desks in my own studio. The editorial format was fresh and engaging, and the design was elegant and understated, allowing the photography and illustration to shine. The juxtaposition of illustration roughs and studio environments against the finished work added great insight into how illustrators work. Also, the writing is credited to the designer, a rare combination of talent in one person.

— Carey George, Up Inc


I don’t often keep illustration or photography directories, but I kept this one on my desk. The size and weight of the book are fitting for a novel, which reflects its added benefit—it is full of stories. It’s visually compelling. Each artist has been interviewed and their story accompanies their work. The typography is clean and unobtrusive, which enables designers to easily visualize how the illustrations or photos would work in a layout.

— Pamela Lee, Samata Mason Design Inc


Without the shadow of a doubt, this document proves that placing artists in their environment is an appealing approach. Work/Life offers a close-up look by inviting us to see their work behind the scenes. Using uncoated paper helps to immerse us in the day-to-day practice of their craft.

— Vincent Martel, Communications, Cirque du Soleil

« On press! | Main | I heart the Arctic »
Monday
Nov092009

Fine Little Day

DateNovember 9, 2009 at 8:03 AM


Elisabeth Dunker has a new limited edition print available in her shop! It's a tribute to the "slow and calm life. It's also a flirt with old embrodery, ornamental folk art and pixel graphics," she says.

I'm posting this from the hotel in Winnipeg—very shortly on my way to see Camilla's book on press. Elisabeth's beautiful photographs are featured throughout the new book, as are her wonderful Studio Violet collaborations created with Camilla.

AuthorJanine | Comment2 Comments | |
in ,

Reader Comments (2)

This makes me want to actually do this pattern. That could be a neat show. The art of the pattern and the product. An artist creates the pattern and then a crafter takes that and creates something. It always amazes me how different knitting projects look based on who knit them - even if they have the same yarn. Everyone has a different tension in their knitting.
November 9, 2009 | Unregistered CommenterErin B
Thank you for posting about my print Janine :)

I´m looking forward to see the book!
November 9, 2009 | Unregistered CommenterElisabeth

PostPost a New Comment

Enter your information below to add a new comment.
Author Email (optional):
Author URL (optional):
Post:
 
All HTML will be escaped. Hyperlinks will be created for URLs automatically.

Notify me of follow-up comments via email.