Type Tuesday: Vintage Stencils
November 3, 2009 at 7:00 AM 
{Images from the Early Office Museum.}
{a special aquisition at the Draplin Design Co.}
{Vintage stencil "apps"}
Typography Our online shop is open 24-hours.
The studio is open
First Thursdays 5-9pm
other days by appointment
Located in Art Central
Upper Level
corner of 7th Ave SW & Centre St
Downtown Calgary
403-283-5318
This book is so much more than eye candy; it is a feast. With luscious illustrations and photography backed by engaging profiles, it’s a peek into the creatives’ studios and sketchbooks, giving a sense of their process. It feels so intimate it’s almost a guilty pleasure. Every detail is considered, thought out, flawless, and is there only to enhance the great body of work exhibited by these exceptionally talented artists. Congratulations Janine for the idea, the design, and for enriching our lives with art that is beautifully brought to our doorstep.
—Zahra Al-Harazi, Foundry Creative Inc
Our studio gets many illustration and photography promotions, and it’s unusual that we keep any. This one was different. I saw many copies on designers’ desks in my own studio. The editorial format was fresh and engaging, and the design was elegant and understated, allowing the photography and illustration to shine. The juxtaposition of illustration roughs and studio environments against the finished work added great insight into how illustrators work. Also, the writing is credited to the designer, a rare combination of talent in one person.
— Carey George, Up Inc
I don’t often keep illustration or photography directories, but I kept this one on my desk. The size and weight of the book are fitting for a novel, which reflects its added benefit—it is full of stories. It’s visually compelling. Each artist has been interviewed and their story accompanies their work. The typography is clean and unobtrusive, which enables designers to easily visualize how the illustrations or photos would work in a layout.
— Pamela Lee, Samata Mason Design Inc
Without the shadow of a doubt, this document proves that placing artists in their environment is an appealing approach. Work/Life offers a close-up look by inviting us to see their work behind the scenes. Using uncoated paper helps to immerse us in the day-to-day practice of their craft.
— Vincent Martel, Communications, Cirque du Soleil
November 3, 2009 at 7:00 AM 
{Images from the Early Office Museum.}
{a special aquisition at the Draplin Design Co.}
{Vintage stencil "apps"}
Typography
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