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WORK/LIFE FIRST EDITION

This is the cover of the First Edition, illustrated by Darren Booth

PRAISE FOR THE FIRST WORK/LIFE

This book is so much more than eye candy; it is a feast. With luscious illustrations and photography backed by engaging profiles, it’s a peek into the creatives’ studios and sketchbooks, giving a sense of their process. It feels so intimate it’s almost a guilty pleasure. Every detail is considered, thought out, flawless, and is there only to enhance the great body of work exhibited by these exceptionally talented artists. Congratulations Janine for the idea, the design, and for enriching our lives with art that is beautifully brought to our doorstep.

—Zahra Al-Harazi, Foundry Creative Inc


Our studio gets many illustration and photography promotions, and it’s unusual that we keep any. This one was different. I saw many copies on designers’ desks in my own studio. The editorial format was fresh and engaging, and the design was elegant and understated, allowing the photography and illustration to shine. The juxtaposition of illustration roughs and studio environments against the finished work added great insight into how illustrators work. Also, the writing is credited to the designer, a rare combination of talent in one person.

— Carey George, Up Inc


I don’t often keep illustration or photography directories, but I kept this one on my desk. The size and weight of the book are fitting for a novel, which reflects its added benefit—it is full of stories. It’s visually compelling. Each artist has been interviewed and their story accompanies their work. The typography is clean and unobtrusive, which enables designers to easily visualize how the illustrations or photos would work in a layout.

— Pamela Lee, Samata Mason Design Inc


Without the shadow of a doubt, this document proves that placing artists in their environment is an appealing approach. Work/Life offers a close-up look by inviting us to see their work behind the scenes. Using uncoated paper helps to immerse us in the day-to-day practice of their craft.

— Vincent Martel, Communications, Cirque du Soleil


Jen 11

A touring exhibition organized by Jennifer Khoshbin
Jen 11 book published by UPPERCASE




Jen11 from UPPERCASE gallery on Vimeo.

Order the book here!



Opening in UPPERCASE
First Thursday, June 4 and running until mid-July

Jen Altman
Jen Bradford
Jen Celio
Jen Garrido
Jen Gotch
Jen Hsieh
Jennifer Judd-McGee
Jennifer Khoshbin
Jen Maestre
Jennifer McNeely
Jen Renninger

More than a million of us were dubbed Jennifer within the span of just fifteen years. From a place of relative obscurity, the name grew on a wave of sudden and unprecedented popularity. We’re starting to learn that the effects of this phenomenon were not entirely trivial. Now as an adult, Jennifer has become targeted as the highly sought after demographic of Generation X. In the business press, we are actually known as The Jennifer Demographic or Jen-eration and are told that “focus should be almost entirely on Jennifer right now as habits of all other segments pale in comparison to hers.”

Most of us have some desire to feel unique, as though we have some authentic expression that is exclusively our own. So when the culture spins out the next trend based on you and your name, it is difficult to make sense of what is genuine. Maybe one truth that my Jen-eration makes visible is the simple reminder that we act collectively, often without even knowing it. Done with the right spirit, this can sometimes be the only way to act. —Jennifer Khoshbin

Order the book here!

Watch this space for more information and images from the book and exhibition.