UPPERCASE magazine
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WORK/LIFE FIRST EDITION

This is the cover of the First Edition, illustrated by Darren Booth

PRAISE FOR THE FIRST WORK/LIFE

This book is so much more than eye candy; it is a feast. With luscious illustrations and photography backed by engaging profiles, it’s a peek into the creatives’ studios and sketchbooks, giving a sense of their process. It feels so intimate it’s almost a guilty pleasure. Every detail is considered, thought out, flawless, and is there only to enhance the great body of work exhibited by these exceptionally talented artists. Congratulations Janine for the idea, the design, and for enriching our lives with art that is beautifully brought to our doorstep.

—Zahra Al-Harazi, Foundry Creative Inc


Our studio gets many illustration and photography promotions, and it’s unusual that we keep any. This one was different. I saw many copies on designers’ desks in my own studio. The editorial format was fresh and engaging, and the design was elegant and understated, allowing the photography and illustration to shine. The juxtaposition of illustration roughs and studio environments against the finished work added great insight into how illustrators work. Also, the writing is credited to the designer, a rare combination of talent in one person.

— Carey George, Up Inc


I don’t often keep illustration or photography directories, but I kept this one on my desk. The size and weight of the book are fitting for a novel, which reflects its added benefit—it is full of stories. It’s visually compelling. Each artist has been interviewed and their story accompanies their work. The typography is clean and unobtrusive, which enables designers to easily visualize how the illustrations or photos would work in a layout.

— Pamela Lee, Samata Mason Design Inc


Without the shadow of a doubt, this document proves that placing artists in their environment is an appealing approach. Work/Life offers a close-up look by inviting us to see their work behind the scenes. Using uncoated paper helps to immerse us in the day-to-day practice of their craft.

— Vincent Martel, Communications, Cirque du Soleil

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DOUGLAS FRASER
BANAL DRAMA

September 6 – October 31, 2007

 

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Born in Lethbridge, Alberta, Doug attended the Alberta College of Art & Design in Calgary from 1980-84. He then attended graduate school in New York and received a Masters Degree from the School of Visual Arts, 1984-86. He taught illustration at the Alberta College of Art & Design from 1992 to 2000. With his signature illustrative style, his many clients include Time, Newsweek, Sports Illustrated, The New York Times, Rolling Stone, Coca-Cola, Nike, and others. He now lives in Victoria, British Columbia with his wife Linda. More of Doug's work can be seen on his website.

To purchase artwork, please call 403-283-5318 or email info(at)uppercasegallery.ca for availability and shipping costs.



 

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JESUS & POOTE 1
Alkyds on paper, matted and framed, 18" x 18.75", $300

 

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JESUS & POOTE 2
Alkyds on paper, matted and framed, 22" x 17.5", $300

 

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MERC
Alkyds on paper, matted and framed, 21" x 13.5", $400

 

 

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Gornin' (from The Shatner Show)
Digital print on archival 13" x 19" paper
Edition of 12 (4 available)
$100

 


(The following works have been sold.) 

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LAVA LAMP
Alkyds on canvas (sold)

 

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BLOODY HEART ASCENDING
Alkyds on canvas (sold)

 

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PUGILIST
Alkyds on paper (sold)

 

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WORDS FROM A FALLEN GOD
Alkyds on canvas (sold)

 

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BURNING BRIDGE
Alkyds on paper (sold)

 

Monitor.Man.jpg

MONITOR MAN
Alkyds on canvas (sold)

 

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CALVARY
Alkyds on canvas (sold)

 

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17B
Alkyds on canvas (sold)

 

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MORT GRIM 1
Alkyds on canvas (sold)

 

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MORT GRIM 2
Alkyds on canvas (sold)

 

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MORT GRIM 3
Alkyds on canvas (sold)

 

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JESUS & POOTE 3
Alkyds on paper (sold)

 

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L.A CAR CRASH
Alkyds on paper (sold)

 

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SPRINKLER
Alkyds on paper (sold)

 

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WATER CLOSET
Alkyds on canvas (sold)

 

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3:35
Alkyds on canvas (sold)

 

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DEUCE
Alkyds on paper (sold)

 

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GTO
Alkyds on paper (sold)

 

 


 

 

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