UPPERCASE magazine
Twitter
WORK/LIFE FIRST EDITION

This is the cover of the First Edition, illustrated by Darren Booth

PRAISE FOR THE FIRST WORK/LIFE

This book is so much more than eye candy; it is a feast. With luscious illustrations and photography backed by engaging profiles, it’s a peek into the creatives’ studios and sketchbooks, giving a sense of their process. It feels so intimate it’s almost a guilty pleasure. Every detail is considered, thought out, flawless, and is there only to enhance the great body of work exhibited by these exceptionally talented artists. Congratulations Janine for the idea, the design, and for enriching our lives with art that is beautifully brought to our doorstep.

—Zahra Al-Harazi, Foundry Creative Inc


Our studio gets many illustration and photography promotions, and it’s unusual that we keep any. This one was different. I saw many copies on designers’ desks in my own studio. The editorial format was fresh and engaging, and the design was elegant and understated, allowing the photography and illustration to shine. The juxtaposition of illustration roughs and studio environments against the finished work added great insight into how illustrators work. Also, the writing is credited to the designer, a rare combination of talent in one person.

— Carey George, Up Inc


I don’t often keep illustration or photography directories, but I kept this one on my desk. The size and weight of the book are fitting for a novel, which reflects its added benefit—it is full of stories. It’s visually compelling. Each artist has been interviewed and their story accompanies their work. The typography is clean and unobtrusive, which enables designers to easily visualize how the illustrations or photos would work in a layout.

— Pamela Lee, Samata Mason Design Inc


Without the shadow of a doubt, this document proves that placing artists in their environment is an appealing approach. Work/Life offers a close-up look by inviting us to see their work behind the scenes. Using uncoated paper helps to immerse us in the day-to-day practice of their craft.

— Vincent Martel, Communications, Cirque du Soleil

Best in Show

 

NOVEMBER 3 / DECEMBER 22, 2005

 

For those of you who can't see the show in person, here are some snapshots of Best in Show. If you see something that you are interested in, all art is available for purchase online. Please email or call with your inquiry and we will inform you of its availability and price. Thanks!

best-pudilluminator.jpg
The Pudilluminator, created by Lisa Brawn, features a dancing Isabella Rossellini (aka Bella, the Boston Terrier). Camilla Engman's artwork is pictured above left, with Jenny Kostecki's framed ink drawings on the ledge. Above the Pudilluminator are Daniel Changs prints and original artworks. Each artist's space in the gallery is marked by their own Best in Show ribbon. The ribbons will be sent to the artists upon closing of the show.

best-opening.jpg
The opening night of Best in Show was well-attended, as people also came to celebrate Art Central's one-year anniversary and the Alberta College of Art & Design's Full Frontal fashion show.

best-fashion.jpg

best-lisa.jpg
Camilla's "Stay" finds a home with Pudilluminator artist Lisa Brawn.

bestshow3.jpg
 The store is full! Great artwork, books, cards and gift items. Bella Pilar's work is featured along this wall. Lisa Brawn's Turkeysnake is in the middle of the wall, above the greeting cards.

bestshow1.jpg
Artwork by Jenny Kostecki (Fish for Sale) and Renata Liwska.

bestshow2.jpg
Christopher Silas Neal's contributions.

bestkerr.jpg
Mike Kerr's creatures. 

bestrenata2.jpg
Renata Liwska. 

bestsloane2.jpg
Heather Sloane.